Back to an old standby: Led Zeppelin
So back we go to the well, the source of huge hits on Blogovich. Gratifying to hear it’s to do with humankind’s greatest invention: music.
In this case, Led Zeppelin. Nothing and nobody I write about draws more interest or comment.
Oh, and yes, I have yet to blog on Dread Zeppelin, the reggae-inspired Zep “cover” band, as promised. Here goes: Suffice it to say, buy an album, download a song, do whatever you can but hear them. Hilarious combo of Elvis (in Dread, he’s TortElvis) and Zep. Worth a listen. And, musically, actually not bad at all.
Anyway, back to Zep and we now respond to The Godfather, who recently posted this comment.
How can you honestly say that Zeppelin is a rip-off band? All of those songs that they supposedly "ripped off" from other artists aren't even popular songs. And this just in, Led Zeppelin never claimed that they wrote any of those songs anyway. So, I don't get what you're trying to say here.
Blogovich sez: Hi Godfather. (By the way, I started re-reading the Mario Puzo novel the other day and, while I once read books to the bitter end and thought this might be interesting 30 years later — but 40 pages in put this one aside...boring. I’m sure it’s good, but . . . I’ve moved on so why go back. Matured. Whatever, short attention span, seen the movies by now, what’s the point?).
ANYWAY. Zeppelin. OK, here is the one-time only, Blogovich (perhaps, I'm sure this will prompt more feedback, why do you folks care so much? glad, though) explanation of me and Zep.
• I like Zep. Grew up on ‘em. Let’s face it: irresistable tunes, never denied that. See previous posts on this ongoing topic.
• but they ripped off blues artists and got sued for it (reference Willie Dixon). And there are any number of musical analyses in print and on the web explaining how a song does not have to sound exactly the same to be plagiarism.
• listen to the song Taurus by the band Spirit (whom Zep toured with in the late 1960s and tell me they didn’t rip off the whole song for the intro to Stairway to Heaven, issued in 1971. Only someone deliberately avoiding the obvious would argue with that, once having listened).
• it doesn’t matter whether the original was popular or not. A rip-off is a rip-off. Credit your sources. All bands have influences. Most bands credit them without having to be sued over it.
• What great songs has Jimmy Page written since Zep? Has he run out of songs to rip?
• Zep “claimed” to have written the rip-off songs simply by ascribing the credits to “Page/Plant” rather than “Page/Plant/Dixon” or whoever. It took lawsuits to correct things; in some cases out of court settlements have resulted in “Page/Plant” still being used as credit when other names rightly should be included.
• It’s not just the blues artists Zep ripped off. Steve Marriott of Humble Pie, according to The Rough Guide to Led Zeppelin, “went to his grave believing that Zeppelin had taken the idea (to Whole Lotta Love) from a number he sung with the Small Faces called “You Need Loving” and which was also derived (and arguably ripped) from (Willie) Dixon’s song. Another, arguably, case of pot calling the kettle . . .
http://www.turnmeondeadman.net/Zep/WholeLottaLove.php
• Last point: Jeff Beck’s “Truth” appropriately-credited album is so obviously a template for Led Zep’s debut album, issued six months later, as to be laughable. As Beck acknowledged, his band could have been Zep but for interpersonal relationships and marketing.
All of this said, what truly ticks me about Zep is the band’s tendency to be affronted by those who point out such instances.
Again, to reference the Rough Guide, check out the article: Love and Theft: Zeppelin’s debt to the blues. We'll get you a link, stay tuned. Otherwise, buy the book.
It's a fine and objective analysis. As with all in the Rough Guide series (Beatles, Stones, Velvet Underground, Floyd, etc.) it pulls no punches.
And beyond that, we offer:
Prime exhibit: Robert Plant making great sport of David Coverdale during Whitesnake’s late 1980s (in America, they were big in Britain as a blues-rock Deep Purple-ish offshoot at the dawn of that decade) heyday, calling him David “Coverversion” for his arguable rips of Zep. Is ripping off a rip-off a rip-off? Good question. But hey, try listening to Sail Away by the Coverdale-fronted Deep Purple (1974) up against Trampled Underfoot by Zep (1975) and who is copying who? We've pointed this out previously.
Just an opinion. I guess it all depends on whether one enjoys things at face value, at a superficial level (which is OK), or chooses to delve deeper into the genesis of creativity.
If one chooses to delve deeper, that doesn’t preclude one’s enjoyment. But it does (or should) make one think.
As one commenter posted on this topic: Couldn’t agree more.