Classical composers were evidently a superstitious bunch, since many believed in the so-called Curse of the Ninth, which dictates that any composer will kick the bucket shortly after composing their Ninth Symphony. Sure, it happened to Beethoven. And Schubert. And Dvorak. Gustav Mahler was terrified his Ninth would kill him, and was relieved when he miraculously survived. His relief subsided when he croaked while writing his Tenth.
If there is indeed a curse that haunts Ninth Symphonies, it certainly didn't wreak any havoc on tonight's performance of Beethoven's Ninth by the K-W Symphony. For the first time in ages, the concert completely sold out, resulting in would-be concertgoers being turned away at the door of Centre in the Square. This is good news, considering it wasn't long ago that the symphony nearly went belly-up due to low ticket sales and public indifference.
The success of tonight's concert (and the anticipated repeat of such success tomorrow night, since it's nearly sold out too) can be partly attributed to the $18 ticket price for many seats. But it seems there's more to it than bargain pricing. Symphony music director Edwin Outwater has insisted since his first day on the job that he wants to overturn the image of the symphony as a snooty, elitist club for old rich people. Judging by the varied crowd at Beethoven's Ninth (including uncultured nincompoops like, well, me), Outwater's message is getting out there.
If you can manage to snag one of the few remaining tickets for tomorrow night's concert (or Sunday's family-oriented matinee), I recommend you do. It's an epic show, with five whole choirs joining the symphony onstage -- that about 200 musicians total -- for the rousing and iconic Ode to Joy section. It's powerful stuff, and it's almost certainly not cursed.

